Category Archives: Work of Other Artists

Bishop Flesey Retires

On October 16, 2017 the Holy Father accepted the resignation of Bishop John W. Flesey, Titular Bishop of Allegheny and the Auxiliary Bishop of Newark, New Jersey.

Auxiliary Bishop-Emeritus’ Flesey’s arms are:

flesey-coatofarms

The shield bearing the personal arms of Bishop Flesey has been designed to reflect his personal history and ministry.  The principal colours are blue and red, which when combined with the charges upon the shield in white, recall the colours of the shield of the Archdiocese of Newark.  A further connection with the Archdiocese is made by the insertion of the crescent at the base of the shield which represents Our Lady of the Immaculate Conception, the principal patroness of the Archdiocese and Immaculate Conception Seminary where Bishop Flesey studied and taught for many years.  In the centre of the shield is the Lion of St. Mark, one of the four living creatures of the Book of Revelation (Revelation 4:7), which from earliest times has been associated with St. Mark, the author of the oldest Gospel.  In this context, the Lion is drawn to recall the Lion on the coat-of-arms of Blessed Pope John XXIII who borrowed it from the City of Venice where he served as Patriarch (Archbishop).  It was Pope John who summoned the bishops of the world to the Second Vatican Council; the changes in the Church (aggiornamento) brought about by the Council have established the context in which Bishop Flesey has exercised his priestly ministry.  The Lion also recalls Bishop Flesey’s home parish, St. Aedan in Jersey City where the symbols of the Evangelists are carved on the façade (but he did  develop a fondness for Venice during the years he spent in Rome).  At the top of the shield is a chief, a heraldic device often used as an augmentation to personal arms denoting an honour or membership in a group.  In this case, the chief refers to Bishop Flesey’s doctorate in spirituality.  It depicts the Holy Spirit descending with Wisdom and Grace fulfilling the promise of Jesus given to the Apostles that he would send the Spirit to instruct them in all Truth (John 16:13).

(from the Archdiocesan website)
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20 Years Armigerous!

On September 27, 1997 I was ordained a priest. This year marks the 20th anniversary not only of my sacerdotal ordination but also of that moment when, being a priest, I assumed a coat of arms. I had been designing, tweaking and modifying a design of my own coat of arms since i first began to settle on a design of my own in 1984. But, the various versions of a coat of arms that I had, which consisted of simply a shield and motto with no other external ornaments, was never really “used” by me. In other words, I hadn’t put it on anything or made any kind of public use of it.

This was for two reasons. First, I knew it was still a work in progress. It would take me from 1984 and that initial, rather poor, design all the way until 1992 until I was truly satisfied with the design of my coat of arms. Second, I didn’t want to adopt the arms with the usual external ornaments of helm, mantling and crest only to exchange them for a priest’s galero when the day came. I preferred to wait until I was entitled to use the galero, so I waited until ordination.

Padre don Guy Selvester

Shortly after my bishop called me in to tell me that my ordination had been decided for certain (8 months earlier than anticipated , as it turns out) I contacted the late Richard Crossett, an American heraldic artist of great talent. He got to work right away in late July, 1997 and I had the finished artwork by late August in plenty of time for my Sept. 27th ordination. His artwork was used for the program cover at my First Mass and I also registered the arms with the American College of Heraldry on whose Board I now happily serve. The blazon is: “Or, a Greek cross fleury Gules; a chief sapiné Vert“.

I always liked Mr. crossest’s interpretation of my coat of arms. I’ve been fortunate to have a couple of dozen renderings of my coat of arms done over the years but I’ve always considered this one to be special. I don’t have an “official” version of my arms since they are assumed, not granted as is perfectly acceptable and is, indeed, the norm in the context of being an American. Nevertheless, this is what I consider to be the closest thing to an official version of my personal arms, primarily because it was the first time I had them rendered by someone other than myself and because it was done in conjunction with my ordination. This coat of arms was one of the ways I marked becoming a priest.

Twenty years later that motto is still my daily prayer: “Guide Me, Lord”.

Archbishop Pierre, Nuncio to the USA

The coat of arms of the Most Rev. Christophe Pierre, Titular Archbishop of Gunela, a Frenchman from Rennes who currently serves as Apostolic Nuncio to the United States of America, can be seen below:

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The motto chosen for the Coat of Arms is Si Scires Donum Dei (“If you knew the gift of God” – John 4:10). A woman of Samaria was sitting by the well when Jesus asked her for a drink of water … “Jesus answered her, if you knew the gift of God and who it is that is saying to you, ‘Give me a drink,’ you would have asked Him, and He would have given you living water.” John 4:10
The white animal is an ermine “passant argent gorged or and lampassed gules” as represented in the Coat of Arms of Saint-Malo, the Archbishop’s home town. The legend says that the ermine would rather die than to have her white fur stained.
The rock represents the granite rocks of Brittany. It is strong enough to resist the constant assaults of the sea. It is therefore a symbol of solidity. The surname of the Archbishop, “Pierre”, is the French translation of rock or stone. The Archbishop has also received the mission to represent the Successor of the first Pope, named by Jesus as Cephas (rock or stone).
The river crossing the shield represents the water the woman of Samaria was looking at (the well of Jacob) when Jesus offered to give her living water. It represents also the river which St. Christopher (“Christ-bearer”) was helping people to cross over. Once, a child on his shoulders became suddenly heavy and was revealed to him as being Jesus himself.
The Coat of Arms was designed by Xavier Pierre, a younger brother of the Archbishop. He passed away in 1999.

Bishop Zarama of Raleigh

On August 29, the Most Rev. Luis Rafael Zarama, until now the Auxiliary Bishop of Atlanta, will be installed in the brand new cathedral as the Sixth Bishop of Raleigh, North Carolina. His coat of arms (below) is explained on the diocesan website:

ZaramaCrest_final

On a blue field is displayed an extra wide chevron of Gold (yellow). This device gives the illusion of two mountains; a gold one and a blue one. The gold mountain (the chevron) is charged with a scattering (semé) of red crosses to represent the bishop’s home city of Pasto, in southwestern Colombia, which is known as “The Theological City.” The lower mountain (part of the blue field) has a golden lion’s head to represent the Evangelist, Saint Mark, who is the titular patron of the parish in Clarkesville, Georgia, on a mountain, where Bishop Zarama served as pastor.

Above the chevron are a gold rose for Saint Theresa of the Child Jesus, also known as “The Little Flower,” and a silver (white) lily for Saint Joseph, the Foster Father of Jesus, who have served as Bishop Zarama’s particular patrons throughout his life as a priest and now as a bishop.

(Paul Sullivan is the artist)

+Rt. Rev. Paul Maher, OSB: RIP

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Archabbot Paul R. Maher, O.S.B., the tenth Archabbot of Saint Vincent Archabbey, Latrobe, Pennsylvania died Thursday, June 29, 2017, the Solemnity of Ss. Peter & Paul. He was 91 years old. A native of Latrobe, Pennsylvania, he served as Archabbot from 1983 until 1990.

Archabbot Paul received his early schooling in Latrobe, where he attended Holy Family School and was an altar server in Holy Family Parish. Having completed elementary school, he went to Saint Vincent Preparatory School for his secondary education. He graduated from Saint Vincent Prep in 1943, in the middle of the Second World War. Just turned 18 years old, he joined the U.S. Army Air Corps. For the next two years he served in the European Theater as tail gunner on a B-24 bomber. He flew 21 combat missions over southern Germany and Austria and was honorably discharged at the end of the war.

The influence of his older brother William, who had become a diocesan priest, and his older sister Rita, who became a Religious Sister of Mercy nun, helped him reach the decision to study for the Benedictine priesthood. In 1945 he returned to Saint Vincent and began his studies at Saint Vincent College as a candidate for the Benedictine Order. In 1947 he was admitted to the Order as a novice and made his simple profession of monastic vows on July 2, 1948. He professed solemn vows three years later, on July 11, 1951.

Archabbot Paul received his A.B. Degree from Saint Vincent College in 1950 and immediately began his studies of theology in Saint Vincent Seminary. In 1951 Archabbot Denis Strittmatter, O.S.B. sent the young Benedictine brother to Rome to complete his theological studies at the Pontifical Atheneum of Sant’ Anselmo. Two years later, he was ordained to the priesthood by Bishop Placido Nicolini, O.S.B., at the Basilica of Saint Francis in Assisi on June 21, 1953. After ordination, he continued graduate studies at Sant’ Anselmo for another four years, earning a Ph.D. in philosophy in 1957.

Upon completion of his doctorate, Father Paul returned to Saint Vincent, where he taught philosophy in the College and Seminary from 1957 to 1966, serving as chairman of the College’s Department of Philosophy from 1961 to 1966. During his years of teaching at Saint Vincent, he also served as moderator of one of the College’s residence halls (1958 to 1960), socius (superior) of the monastery’s junior monks (1960 to 1963), and vice rector of Saint Vincent Seminary (1963 to 1966).

In 1966, Archabbot Paul was named prior (superior) of Saint Vincent’s mission to China and a member of the faculty of Fu Jen Catholic University, Taiwan. He remained in Taiwan as monastic superior and university professor for seventeen years.

He was elected Archabbot on June 7, 1983, and on June 30, 1983, received the abbatial blessing in the Archabbey Basilica from Bishop William G. Connare of Greensburg, Pennsylvania. Among those present at his blessing were Archbishop Rembert Weakland of Milwaukee; Bishop Norbert Gaughan, auxiliary bishop of Greensburg; Bishop Rene Gracida of Corpus Christi, Texas; and the two retired Archabbots of Saint Vincent, Archabbot Egbert Donovan and Archabbot Leopold Krul.

Mark W. McGinnis, author of the book The Wisdom of the Benedictine Elders, described Archabbot Paul as a “very intelligent, highly experienced abbot who has the demeanor, gentleness, and openness of an ideal priest.” His brother monks would agree with this and add that he was an ideal monk: humble, generous, thoughtful of others, and devoted to the Benedictine life of prayer and work.

Following his retirement in 1990, Archabbot Paul became a parish assistant at Saint Benedict Church, Carrolltown, Pennsylvania, where he resided until 1996. He returned to the Archabbey that year to serve as guestmaster and archivist until 2009. Archabbot Paul was the son of the late William A. Maher and Edna G. (Hunt) Maher. He was one of twelve children, two of whom are currently residing in Latrobe.

He was a very humble man eschewing the use of pontificalia as he was entitled by his office. He only grudgingly agreed to have a coat of arms at the behest of the archivist of the community, the late Fr. Omer U. Kline, OSB. His coat of arms was designed in consultation with the late Br. Nathan Cochran, OSB of St. Vincent and alludes to the traditional Irish arms associated with the name Maher; his baptismal and monastic patron, St. Paul (the sword) and his missionary work via the double-barred Scheyern cross being used at St. Vincent as the “mission cross” given to those monks sent out into the mission fields. From a lack of correct heraldic custom the crozier (veiled or otherwise) was omitted from the achievement and the extra knots and loop of cords below the galero was a bit of license by the artist who wished to fill the space left by the lack of a crozier. The motto, “Resonare Christum” (Echo Christ) was also used by the late John Cardinal Wright of Pittsburgh.

May he rest in peace.