Category Archives: Bad Heraldry

A Gallery of Banality

In January several new Auxiliary Bishops have been ordained in the USA. Their choices regarding armorial bearings have been, shall we say, underwhelming. I am not commenting on the quality of the artwork, at least not for the moment. This post is concerned with the content and composition of these coats of arms from a heraldically correct viewpoint. Let’s have a look.

Most Rev. Timothy Freyer, Auxiliary of Orange, CA (ordained January 17)

freyer

Meh.

Most Rev. Mark Brennan, Auxiliary of Baltimore, MD (ordained January 19)

Print

Busy.

Most Rev. Adam Parker, Auxiliary of Baltimore, MD (ordained January 19)

Print

Gag. (and not entitled to the quarter of the Order of the Holy Sepulcher)

Most Rev. Gerard Battersby, Auxiliary of Detroit, MI (ordained January 25)

battersby_coat_of_arms_thumbnail

Yuck.

Most Rev. Robert Fisher, Auxiliary of Detroit, MI (ordained January 25)

fisher_coat_of_arms_thumbnail

Blech.

Trenton Co-Cathedral

Uh-Oh!

Not quite, Trenton. On February 19 the church of St. Robert Bellarmine in Freehold, NJ was designated the Co-Cathedral of the venerable diocese of Trenton. The reasons for Bishop O’Connell requesting the designation of a co-cathedral, something usually reserved for diocese with a dual or twin seat of the bishop (such as Altoona-Johnstown, PA or Springfield-Cape Girardeau, MO) are of no concern here. The bishop desired it, his consulters concurred and the Holy See gave its permission.

However, during the ceremony elevating the 1,000 seat suburban parish church to co-cathedral one of the elements of the ritual, including the blessing of a new cathedra for the bishop, was the handing over of a new coat of arms for the co-cathedral (below).

Print

The design uses the arms of the See of Trenton which, as I have always said, is probably one of the nicest and most heraldically correct coats of arms of any diocese in the USA. The only addition was to add a chief with the pine cones taken directly from the arms of St. Robert Bellarmine himself.

Some might wonder why a church would need a coat of arms? Actually, it is quite common for churches, both parish churches and cathedral churches, to make use of corporate arms of their own. In fact, in many places the cathedral church incorrectly assumes that it has the right to employ the arms of the diocese as its own since it serves as the seat of the bishop of that diocese. Such an assumption is actually incorrect. The arms of the diocese cannot be used by the cathedral church, chapter or parish as also “theirs”. So, the idea of a separate coat of arms for the co-cathedral parish is a perfectly good one.

I note that the mother church of the diocese of Trenton, the cathedral of St. Mary of the Assumption, does not seem to make the mistake of employing the arms of the See of Trenton as their own. Indeed, it does not seem to make use of any coat of arms. So, this begs the question, “Why does the co-cathedral need its own coat of arms when the actual cathedral does not use one?”

I think the design of the new arms is a good one. It still maintains a sense of clarity and simplicity, clearly identifies with the diocese, and makes good use of charges from the armigerous patron saint of the place.

However, the problem is in the external ornament. The shield is surmounted by a mitre. Here, a similar mistake to a cathedral simply stealing the arms of the diocese has occurred. Someone involved in the design of this coat of arms just assumed that as a cathedral church the mitre is the most appropriate external ornament to adorn the shield. In heraldry the mitre is used, in some places still, to denote the arms of a bishop and in most places the arms of a diocese…not a cathedral. Just as a cathedral cannot simply make use of a diocesan coat of arms, similarly, a co-cathedral cannot usurp the ornaments proper to the corporate arms of a diocese. Quite unintentionally the person who designed this has created arms for a new diocese!

As is the case with the corporate arms of any church it should make use of the shield alone and, possibly, a motto if desired. There is no crest, no mitre, no crozier or cross, indeed, no external ornament to denote the arms of a cathedral or co-cathedral. Once again, rather than consulting with someone knowledgeable a person, or persons, just struck out on their own, extrapolated from what they had seen elsewhere…and got it WRONG!

I find this kind of ignorance annoying, appalling and fairly commonplace, especially when it comes to the Catholic Church in the United States.

 

Archbishop Etienne’s Mistake

On November 9, 2016 the Most Reverend Paul D. Etienne was installed as the fourth Metropolitan Archbishop of Anchorage, Alaska. Since December of 2009, the 57-year-old Indiana native had been serving as the Bishop of Cheyenne, Wyoming. At the time of his election as a bishop he assumed a coat of arms which he bore during his tenure as Bishop of Cheyenne:

anc

The design was, in my opinion, a bit crowded and fell victim to the usual problem with most of the heraldry of the American hierarchy. Namely, he tried to include too much. Time and time again I warn on this blog and elsewhere against the practice of trying to have a coat of arms be a “CV in pictures”. Sadly, that advice seems to frequently go unheeded.

I noticed that when His Excellency was translated and promoted to Anchorage that he has assumed a new personal coat of arms:

anc2

I must say that the overall design is surely more simple and more clear. In addition, it seems apparent that upon further reflection he realized that he had included too many charges and decided that there were, indeed, some he could live without. I think its unfortunate that he decided to discard the green field because just as it contrasted so nicely with the red-dominated arms of the See of Cheyenne, similarly, the contrast with the predominantly blue arms of the See of Anchorage would have been more striking.

The overall appearance of the coat of arms as it is now is most definitely better. However, the “mistake” I believe the archbishop has made is in entirely changing the original design. He has, in fact, assumed a second new coat of arms. Many prelates feel that when they change assignments that this is a perfectly acceptable practice. It’s as if “a new coat of arms for the new job” is their thought. In addition, after having assumed arms originally, often hastily because of the unfortunate expectation that a bishop in the USA will have his coat of arms prepared and ready to be displayed at the time of his ordination and/or installation, which is an unreasonable and unnecessary expectation, the armiger has had a chance for second thoughts and wishes to make modifications. But there is a problem.

You CANNOT.

That is to say, you really REALLY shouldn’t. A coat of arms isn’t a “logo” which companies often feel free to update, modify or even discard in favor of a new one. A coat of arms is a personal mark of identification and it becomes identified with the particular armiger to whom it belongs. In places like the USA where arms are not granted by a heraldic authority but are legally and quite appropriately assumed (i.e. adopted) great care must be taken to design a coat of arms with which the armiger is happy at the time they are assumed and made public.

In the case of a bishop the personal arms should not be designed to harmonize with the arms of the See with which they will be impaled for the simple reason that bishops sometimes move and re-designing the personal arms to “go better” with the arms of the See is ill-advised. (see the three different versions of the personal arms borne by Cardinal Cupich of Chicago or Bishop Libasci of Manchester, NH. Cardinal O’Brien, the Grandmaster of the Order of the Holy Sepulcher has changed his coat of arms no less than four times!). Part of the problem is the truncated timeline with which so many bishops have to contend when the design process begins. It is not unheard of for there to be as little as six weeks in between the announcement of his appointment and the ordination/installation. The poor heraldic designer must then contend with constant pressure from diocesan officials and committee members demanding the finished artwork for use on things like invitations, programs and in press packets.

But, designing a good coat of arms takes time. Frequently the designer and the armiger will go through three or four sketches (or more) before settling on a proper design. More frequently because of the time constraint (and occasionally because of a complete lack of interest in the subject on the part of the new bishop) something deemed to be “good enough” is cobbled together in a slap-dash manner and the result is, at best, a less-than-perfect design and, at worst, downright ugly and/or ridiculous!

When designing a coat of arms for someone who is not on a three week deadline I often encourage them to use what is jokingly referred to as “the refrigerator test”. That is, they are asked to take a sketch of the coat of arms and put it somewhere, like their refrigerator, where they will see it everyday. The idea is to live with it for a time and keep seeing it over and over to see if the initial ideas have staying power. In the case of Archbishop Etienne such a test might have enabled him to see that the original design was cluttered and that those things he wanted to represent in his coat of arms could have been done with a simpler design. Part of the solution here is to abandon the idea that a new bishop’s coat of arms must be available immediately, in a manner of weeks, and in time for his ordination/installation. I can assure you that in places where arms are granted by a heraldic authority such an authority feels no obligation to do their work with such a ridiculous deadline. There is absolutely nothing that requires a bishop’s coat of arms to be finished and ready by the day of his ordination/installation. A few more weeks to get it right won’t kill anybody.

Part of this problem could be solved by bishops seeking the advice of those competent and well-versed in the principles, customs and traditions of good heraldic practice. More often than not they don’t. They need to stop turning to the myriad of lawyers, engineers, seminarians and other enthusiasts who have read “a whole book” on heraldry and have declared themselves to be “expert” in heraldic design. In addition, the computer age has also led to the advent of a plethora of the heraldic equivalent of the singer/songwriter: those people who are competent artists but who don’t really know the first thing about heraldry or its rules. They can create really nice artistic renderings but should be collaborating with a competent designer instead of trying to do it all. Expertise in DESIGNING a coat of arms and in DEPICTING that design are two very different things.

Finally, it has to be said that, in the Church anyway, it is unfortunate that those who make the most use of heraldry, prelates, are frequently the ones who both know the least about it and also frequently have little interest in learning about its proper use and application. (You know, once they make you a bishop they take the bone out of your head that allows you to remember you can occasionally still be taught something). As mentioned above, a coat of arms can’t simply be changed after several years because one feels like it. Despite the fact that it belongs to the armiger and, in many cases, was devised by him as well as adopted by him he is not free capriciously to change the design on a whim especially not after having borne a particular coat of arms for years. It is akin to deciding to use an alias after years of being known as something else. While there is no “heraldry police” in the Church to stop you it is, nevertheless, wrong to change the design of a personal coat of arms even when such changes result in the general improvement of the design.

Rather, the task is to have a well-designed and pleasing coat of arms the first time around and to use that same coat of arms no matter how often a bishop might be transferred to a new diocese. It is important to remember that impaling the personal arms with the arms of the See is a custom, not a requirement, and not even a universal one at that. It predominates in N. America but it is far from the usual custom throughout the world. When impalement is employed bishops need to remember that the dexter impalement (the arms of the See) does not become part of their coat of arms. Instead, by impaling there are two distinct coats of arms being displayed on one shield. It is a form of marshaling two or more coats of arms and even at that it lasts only for their tenure in that office. A bishop-emeritus of a given diocese has no right whatsoever to continue impaling his personal arms with the arms of the See once he has resigned that See.

The best process to use is the same one which circumstance forces onto those bishops who first become Auxiliary Bishops. Namely, they design and assume a personal coat of arms alone which fills the entire shield. Later, if they are promoted to be a Diocesan Bishop then they may choose to impale their personal arms with the arms of their diocese. If, by chance, such an impalement makes for an aesthetically unpleasing combination then the solution is NOT to change their personal arms (or the diocesan one for that matter). The better option would be for the bishop in question simply to bear his personal arms alone and not impale them at all. It is important, however, for the armiger to maintain that coat of arms which he first assumed and which has become identified with him as much as his signature or the appearance of his face. As already stated above even when the temptation is strong to re-design the coat of arms for the purpose of improving the design after further reflection such an impulse must be stifled and ignored. Once the arms have been assumed it is, frankly, too late. That’s why its better to be sure of what is being assumed in the first place; it cannot, and should not be changed later.

I have written in these pages extensively about the idea of employing various versions of a coat of arms to suit the occasion and/or office held. Sometimes, coats of arms receive legitimate augmentations to reflect some event or change in status. Frequently, the external ornaments in a heraldic achievement, even of a bishop, change or are added to in order to reflect an honor received. All of these are legitimate modifications. However, for a bishop who has assumed a coat of arms and several years later is then moved to a different diocese or some other such position within the Church simply to say to himself, “You know, I’ve had second thoughts about including thus-and-such in my coat of arms. If I had to do it over again I’d use something different. Let me take advantage of this change and the fact that new artwork has to be prepared to redesign the whole thing” is egregiously wrong and is, realistically, a gigantic abuse of his authority. After all, in the Church what a bishop wants is rarely questioned and even more rarely denied.

Nevertheless, it is of utmost importance to get it right the first time, that is, at the time of assuming the coat of arms. Changing it later ISN’T an option and bishops who ignore that are making a mistake.

(The artwork for Archbishop Etienne’s coats of arms is by Deacon Paul Sullivan)

 

 

Auxiliaries of Boston

On August 24, 2016 two new Auxiliary Bishops to the Archbishop of Boston will be ordained. Their coat of arms are below for

The Most Rev. Robert Reed, Titular Bishop of Sufaritanus

reed

The Most Rev. Mark O’Connell, Titular Bishop of Gigthensis

o'connell

Hmmmm…interesting. Pretty. Busy. Good?

The designs, accompanied by very interesting descriptions, especially for lovers of fiction, are by J.C. Noonan and the artwork is by his usual collaborator Linda Nicholson.

Bishop J. Gregory Kelly

On February 11 the Most Rev. (John) Gregory Kelly was ordained as Auxiliary Bishop of Dallas. The description of the coat of arms (from the diocesan website):

“Bishop Kelly’s arms are based on the Kelly family design where the shield is silver (white) and the charges are black. For difference, and for his deep devotion to the Blessed Virgin Mary, the chevron is now blue. The chevron is reminiscent of the mountains of Colorado, so dear to His Excellency’s youth and the chevron is charged with two estoiles (special, six pointed stars) that are taken from the mantle of the image of Our Lady of Guadalupe to remind all of the profound Hispanic influence in Texas, the “Lone Star State“, represented by the single star below the chevron. Above the chevron are a fleur-de-lis and a trefoil (the heraldic representation of a shamrock) to honor the Bishop’s Irish and French-Canadian heritage.”

Once again we see here an example of the increasingly popular (and completely WRONG!) trend of personalizing one of the external ornaments, in this case, with the addition of the triquetra on the episcopal cross (erroneously referred to as a “processional” cross in the description) to represent the Holy Trinity because it was the name of the seminary the bishop attended.

It is necessary to repeat that the only thing subject to having charges particular to the bearer is the shield. The external ornaments may NOT be personalized in a heraldic achievement of this type and all those who advocate such a practice are both incorrect and foolish! The heraldic artist is completely free, in future, to depict this bishop’s coat of arms with an episcopal cross of any shape and manner he might wish. This is what happens when armigers turn to those who do not know what they are doing for the devisal of their coats of arms.

Kelly-COA

Artwork: P. Sullivan

Paris

All the world is praying for Paris and Parisians. Their shepherd will need our prayers as well as he tries to comfort the afflicted and the grieving as well as bring aid to the wounded and the frightened. Andre Cardinal Vingt-Trois’ coat of arms is really not a coat of arms (although at least he has SOMEthing…unlike so many of his brother bishops in France) but I point it out because he, a spiritual leader and guide, needs our support and prayers. The arms themselves, rather than a motto, remind us of an important thing, especially in the face of such bald hatred and aggression: “For God so loved the world…” (that He sent His only Son to be our Redeemer) John 3:16

fm vingt-trois013